At HansemEUG, we focus on more than just the practical side of localization. We are always looking to stay ahead of the curve by also keeping a close eye on the field of academia. To this end, we started off the year by attending a special lecture on video game localization.
On 9th January, linguists from the localization service team attended a lecture by Miguel Ángel Bernal-Merino at the Hankuk University of Foreign Studies Seoul Campus (HUFS). HUFS is one of the leading universities in Korea with a specialty in languages. Dr. Bernal-Merino is a professor at the Department of Media, Culture and Language at Roehampton University of London and researches in-game localization and media translation. [Link to Bio]
This article summarizes the lecture.
Research into translation and localization of video games is relatively new because the birth of video games was only in 1950s. However, since then the industry has taken a huge leap from the first games involving simply pressing a button to the multifaceted medium video games have become today. Now, due to such a huge advancement, the widely used term “video game” does not fully reflect what they have become. Then, what are video games?
Thus, the correct term for what video games are now is Multimedia Interactive Entertainment Software (MIES).
The MIES industry is large and still growing. There are 2.6 billion gamers worldwide and with new technology like augmented reality, the industry is growing in colorful ways. The common misconception of the MIES industry is that it is adult-male centric, targets English-speaking countries, and can result in gamers becoming violent and aggressive. The research findings on the industry tell us otherwise.
The diversity of games, players, and the MIES market itself is still growing. The larger MIES production companies are well aware of the need to localize games for various global markets and the effect it has on maximizing game sales. But localization of MIES involves more than localizing text and instead involves localizing the whole gaming experience to optimize the immersive experience and playability for the target market. This can include localizing character images, audio, and content with cultural sensitivity.
Then, how can we achieve good MIES localization?
To answer that question, let us think backwards. How different do you think the result will be if a game was translated by someone who is well aware of the interfaces and story of the game and one translated by someone who has no idea about the game? Bad translations of MIES are not always because it was performed by an inexperienced translator, but because it was done with a lack of context and co-text.
Context information required for MIES localization includes:
Co-text information required for MIES localization includes:
Over the years, the MIES industry has grown rapidly and created new jobs and research opportunities. A lot of research is being conducted considering semiotics, which looks at how signs are used for communication, and pragmatics, which considers how context contributes to meaning. Also, new job opportunities are appearing, such as linguistic play-tester, machine translation engineer, and MT post-editor.
At HansemEUG, we also strive to stay at the forefront of the fast-changing localization industry. Our linguistics team is certified with TAUS for post-editing and reviewing machine translations. We also have an extensive portfolio of successful localization projects for various products and solutions in the real world, where context or co-text is not fully provided for various reasons.
For any questions regarding the localization process at HansemEUG and how we can optimize localization for your specific needs, feel free to contact us anytime via our website.